Minggu, 25 Januari 2015

[R325.Ebook] Ebook Angel on the Square (Russian Saga), by Gloria Whelan

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Angel on the Square (Russian Saga), by Gloria Whelan

In the fall of 1914, safe behind palace walls, Katya Ivanova sees St. Petersburg as a magical place.

The daughter of a lady-in-waiting to the Empress, Katya spends all her time with the Grand Duchesses; the royal family feels like her own. But outside the palace, a terrible war is sweeping through Europe, and Russia is beginning to crumble under the weight of a growing revolution. Now, as Katya′s once-certain future begins to dissolve, she must seek to understand what is happening to her beloved country and, for the first time in her life, take charge of her own destiny.

Ages 10+

  • Sales Rank: #414678 in Books
  • Brand: Harper Collins
  • Published on: 2003-01
  • Released on: 2003-01-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.63" h x .61" w x 5.13" l, .45 pounds
  • Binding: Paperback
  • 304 pages

Amazon.com Review
From the author of the 2000 National Book Award winner, Homeless Bird, comes an evocative glimpse into a chilling period in world history. Gloria Whelan manages to take the fly-on-the-wall approach one step further in her latest piece of historical fiction. In Angel on the Square, a young girl joins Russian Tsar Nikolai II, Empress Alexandra, and their children when her mother becomes one of the empress's ladies-in-waiting. Katya Ivanova, as companion to the Romanov children, has an insider's view of the crumbling of tsarist Russia from 1913 to 1918. Initially, life is lavish and amusing for this young aristocrat, although her friend Misha's revolutionary ideas often battle in her mind with her own loyalty to the tsar. Gradually, though, the world outside begins to enter the palace walls, and Katya's life--along with that of all nobility--changes forever.

Whelan's balanced treatment of both sides of the Russian revolution is remarkably accessible. Katya is an appealing protagonist; readers will hang on her every word as she is transformed from a spoiled, sheltered child into a caring, hard-working adult. Young readers couldn't ask for a better introduction to this terrifying, earthshaking epoch in history. (Ages 10 and older) --Emilie Coulter

From Publishers Weekly
Whelan (Homeless Bird) shows both sides of the Russian revolution in a sympathetic light in this absorbing saga of an aristocratic girl. The novel opens in 1913, just before Katya goes to live with Tsar Nikolai II, when her widowed mother becomes lady-in-waiting to the Empress. The royal couple and their children are like a second family to Katya. Still, the heroine cannot completely support the tsar's treatment of his people. Guided by her revolutionist friend, Misha, she witnesses the exploitation of workers in the city. Later, her exposure to country peasants forces her to realize that her own noble family is partially responsible for the peasants' suffering. On the other hand, Katya does not condone the violent reaction to oppression that is sweeping across her beloved country. Tracing each stage of Katya's enlightenment through intimate first-person narrative, Whelan brings immediacy to the historical events, offering well-rounded depictions of characters and vivid descriptions of their surroundings. The author sharply contrasts the luxurious conditions Katya enjoys in her early adolescence with the meagerness of her life five years later at the revolution's end. The book's uncomplicated language and sensitive treatment of political issues make it an excellent, vibrant introduction to the cause and effects of Tsar Nikolai's fall. Ages 10-up.

Copyright 2001 Cahners Business Information, Inc.

From School Library Journal
Grade 5-9-A balanced, if dispassionate, account of the Russian Revolution. When the Empress invites her mother to be a lady-in-waiting, Katya, 12, moves to the Alexander Palace where she serves as a companion to the Grand Duchess Anastasia. Katya's "cousin" Misha has joined the student revolutionaries and disapproves of Katya's defense and love of the tsar. When Nicholas II abdicates and the family is imprisoned in their home, Katya and her mother are sent away from the family they love. With nowhere else to go, they travel to their summer dacha only to find it has been destroyed. Living and working with the local peasants, Katya works to build a new life from the ruins of the old, first by constructing a cottage for her mother, then by going back to St. Petersburg with Misha to start a new life. Brought up in wealth and luxury, she knows nothing of the hardships suffered by the Russian people until shown by Misha, who provides glimpses into the lives of the revolutionaries, the poor, and eventually the soldiers. As events unfold around her, Katya grows and changes, and is able to survive in the world that emerges. While not as engaging as Homeless Bird (HarperCollins, 2000)-the story is told with a very matter-of-fact, first-person narration-Angel on the Square will attract readers, especially lovers of historical fiction. Pair it with Carolyn Meyer's Anastasia: The Last Grand Duchess, Russia, 1914 (Scholastic, 2000) for younger readers and I Am Anastasia (Harcourt, 1959; o.p.) for older readers who have fallen under the spell of the last Grand Duchess.
Lisa Prolman, Greenfield Public Library, MA
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

3 of 4 people found the following review helpful.
Very interesting
By Devo
I learned a lot from this book. It was a good story, well told.

0 of 0 people found the following review helpful.
Engaging and beautifully written
By Carmen Redding
I've had these books on my shelf for a couple of years. If I had known they were so good, I would have read them sooner. Gloria Whelan's Angel on the Square and The Impossible Journey are among the best juvenile historical fiction novels I have ever read. In the first book, Katya's experiences living in the Royal Palace of Nicholas and Alexandra Romanov, endears her to the family. As the companion of Anastasia, she gets to see the Tsar as a kind father and devoted husband. However, she also takes note of the shortcomings of an autocratic system that ignores the needs of the people.

Through her cousin Misha, an intellectual revolutionary, Katya gets a glimpse at how the peasants and working people live. She is torn between the changes she knows are needed, and the loyalty she feels toward the Royal family.

This book is an exciting and fast-moving read. It is beautifully written. Sometimes humorous and at times poignant, it captures the imagination of the reader in such a way that one is drawn into the story not as a mere spectator, but a participant.

I would recommend this book to anyone who enjoys being transported by books to different times and places. While this book is for children, I believe this book will appeal to all audiences.

3 of 3 people found the following review helpful.
The Angel
By A Customer
I think that the book angel on the square was excellent in many ways, the vocabulary, the plot, the portrayal of characters, imagery, and details.

To start off with, i think that a brief summary of the book would be appropriate. In the begining of the book , there is a daughter of the lady in waiting named Katya Ivanova. She lives in the Zhukovsky mansio, which has been in her family for many generations. she is pampered and well cared for. Until her and her mother are invited to live with the Empress, the Tsar, and their children. She grows a bond with one of the daughters; Stana. Then the war breaks out, and they are forced to eat like the soldiers, and help in the hospital. Later the Tsar gives up the throne and is given the death sentence. Irina Petrovna, or Katya's mother tells the government that they are only friends, so that their lives would be saved. They flee the contry and move to a place called the Oaks, which was burned downby peasants who were mistreated by the owner of the Oaks, Vitya. He and his wife fled before the peasants could kill them. Katya found remnants of the place, and turned it into a cottage where they carry out the rest of their lives.

The vocabulary was amazing, quite a few times i had to have a dictionary next to me while I was reading to look up words I did not know. Another aspect of the book that I enjoyed was the portrayal of the characters; they appeared to be so real that I felt the emotions that the characters did. I felt I knew the characters even though they were fictional. One character in the book really stood out to me, and his name was Misha. He would always tell his sister (Katya) to look around and be observant about her surroundings, because not everyone had a comfortable place to sleep, abundant foods, and the privilege of not having to work. He also taught her to have her own beliefs, and to be an individual instead of just going with the flow like everyone else.

I think that the plot was very interesting, and adventurous. It was always at a climax, which made the book fun and interesting to read. But plot alone cannot make a book, and certainly the caracters, descriptive images, and informative wording all worked together to create a very educational, yet fun and informative wording all worked together to create a very educational, yet fun and informative book that would surely be as good to read for school as for free reading.

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Sabtu, 24 Januari 2015

[C998.Ebook] Download PDF How the Stock Market Works (New York Institute of Finance), by John M. Dalton

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How the Stock Market Works (New York Institute of Finance), by John M. Dalton

How the Stock Market Works (New York Institute of Finance)

  • Sales Rank: #1352183 in Books
  • Brand: New York Institute of Finance
  • Published on: 1993-10-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.38" h x 6.03" w x 9.00" l, 1.21 pounds
  • Binding: Paperback
  • 352 pages
Features
  • Great product!

Most helpful customer reviews

28 of 29 people found the following review helpful.
Good introduction to the mechanics of the market
By hyperbolium
Rather than providing any sort of investment advice, this book explains the actual workings of the stock market. How a trade flows from a customer, through a broker, to the floor, and on to the various settlement engines. It's good background for anyone who invests in the market, and especially useful to anyone who works in (or with) the financial IT industry.
As other reviewers have noted, the poor copy-editing is embarassing. But even with all the typos, the information presented is very useful.

5 of 5 people found the following review helpful.
Solid intro, covers diverse topics, but written poorly
By S. Gordon
I had high hopes for this book, as the topics outlined in the table of contents seemed thorough and well organized. Unfortunately, the writting and editing are only fair, which makes the book read as if intended for a grade school audience.
In the next edition, a section describing the NASDAQ and how it functions would enhance the value of this book.
Would have been a plus if this book included a list of additional titles for further reading on the topics covered.

2 of 2 people found the following review helpful.
Concise, straight forward source of information
By A Customer
This book should be the starting point for all investors and/or people interested in investing. It is broken down into numerous chapters, each explaining in detail, almost every facet of the history of and investing in general. This book is where you should begin

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Selasa, 13 Januari 2015

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  • Published on: 1800
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[N479.Ebook] Download Ebook Amsterdam Stories (New York Review Books Classics), by Nescio

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Amsterdam Stories (New York Review Books Classics), by Nescio

No one has written more feelingly and more beautifully than Nescio about the madness and sadness, courage and vulnerability of youth: its big plans and vague longings, not to mention the binges, crashes, and marathon walks and talks. No one, for that matter, has written with such pristine clarity about the radiating canals of Amsterdam and the cloud-swept landscape of the Netherlands.

Who was Nescio? Nescio—Latin for “I don’t know”—was the pen name of J.H.F. Gr�nloh, the highly successful director of the Holland–Bombay Trading Company and a father of four—someone who knew more than enough about respectable maturity. Only in his spare time and under the cover of a pseudonym, as if commemorating a lost self, did he let himself go, producing over the course of his lifetime a handful of utterly original stories that contain some of the most luminous pages in modern literature.

This is the first English translation of Nescio’s stories.

  • Sales Rank: #748387 in eBooks
  • Published on: 2012-03-20
  • Released on: 2012-03-20
  • Format: Kindle eBook

Review
“His utter simplicity goes hand-in-hand with a great command of humour, irony, matter-of-factness, understatement and sentiment (never sentimtality or self-pity) all of which miraculously balance each other out. . . . Nescio is essentially a lyricist, a poet writing in prose.” �—Dutch Foundation for Literature
�
“In every respect the work of Nescio represents an exception to the calm, bourgeois realism of the early twentieth century. . . . He was arguably the most non-conformist writer of his time. . . . In his stories Nescio created a number of extraordinary characters, who have become legendary in Dutch culture.” —Theo Hermans, A Literary History of the Low Countries
�
“Though he published few stories, his position in Dutch literature is a very special one.” —Cassell’s Encyclopedia of World Literature

“Nescio’s utter simplicity goes hand-in-hand with a great command of humour, irony, matter-of-factness, understatement and sentiment (never sentimentality or self-pity), all of which miraculously balance each other out. He is essentially a lyricist, a poet writing in prose.” —Dutch Foundation for Literature

About the Author
Jan Hendrik Frederik Gr�nloh (1882–1961) was born in Amsterdam, the oldest of four children. After an idealistic youth, he joined the Holland–Bombay Trading Company in 1904, becoming director in 1926, suffering a nervous breakdown leading to a short hospitalization in 1927, and retiring at age fifty-five, on December 31, 1937; he married Aagje Tiket (b. 1883) in 1906 and had four daughters with her, born in 1907, 1908, 1909, and 1912. Meanwhile, as Nescio (Latin for “I don’t know”; he adopted a pseudonym so as not to jeopardize his business career, acknowledging his authorship publicly only in 1929), he wrote what is now considered perhaps the best prose in the Dutch language.

Damion Searls is a writer and a translator of many classic twentieth-century authors, including Proust, Rilke, Robert Walser, Ingeborg Bachmann, and Thomas Bernhard. His translation of Hans Keilson’s Comedy in a Minor Key was a New York Times Notable Book of 2010 and a National Book Critics Circle Award finalist. He also edited Henry David Thoreau’s The Journal: 1837–1861, available as an NYRB Classic.

Joseph O’NeilL is the author of three novels, most recently Netherland (2008), and of Blood-Dark Track: A Family History (2001). Born in Ireland, he spent most of his childhood in the
Netherlands.

Most helpful customer reviews

10 of 10 people found the following review helpful.
A Flat Landscape
By Roger Brunyate
New York Review Books have a real oddity in this one: the four stories and five fragments that together comprise a large part of the published work of the Dutch author Jan Hendrik Gr�loh, writing under the self-effacing pen name of Nescio (Latin for "I don't know"). Three of the stories, The Freeloader, Young Titans, and Little Poet, belong to the period 1909-19; the fourth, the darkly enigmatic Insula Dei, comes from 1942, when Holland was under German occupation. But although both World Wars are visible very faintly in the background, Nescio's real subject is the inner lives of young people hoping to make a mark as writers or artists, determined to break free of bourgeois convention, but inevitably getting either sucked back into it or destroyed by it. "It was a strange time. And when I come to think about it, I realize that that time must still be happening now, it will last as long as there are young men of nineteen or twenty running around. It's only for us that the time is long since past."

That quotation is from Young Titans, perhaps the most characteristic of the stories, though it shares the same cast of would-be bohemians as three other items in the book. They sit up all evenings in ill-heated attics, one paints a picture, another writes a poem, they go for long walks in the Dutch countryside: "Every day we longed for something, without knowing what. It got monotonous. Sunrise and sunset and sunlight on the water and behind the drifting white clouds [...] all things I had seen so many times and thought about so many times while I was gone and would see again so many more times, so long as I didn't die. Who can spend his life watching all these things that constantly repeat themselves, who can keep longing for nothing? Trusting in a God who isn't there?"

Perhaps you need to be Dutch to get the most out of Nescio's writing, which is not only place- but culture-specific. Perhaps you need to have come to terms with the predictability as well as the occasional magnificence of all that flatness, to be comfortable with conformity. For Nescio's young Titans become respectable businessmen or, very touchingly in the 1942 story, an unemployed widower living only in the island of his memories. These are stories in which very little actually happens; there is pathos here, but little tragedy. Fortunately, though, there is also a good deal of gentle comedy: in his description of the eternal sponger Japi in The Freeloader, or in the suppressed eroticism of the Little Poet, for whom "the prettiest girls are always walking on the other side of the canal. And so his whole life turned into one long poem, and that can be tedious too."

Joseph O'Neill, the author of NETHERLAND and Dutch raised himself, says in his introduction that "one reads Nescio in the first person plural; his voice speaks to all our selves." I would so much like to agree, but unfortunately I find these fragments easier to admire from a distance than to access for myself.

7 of 7 people found the following review helpful.
Small Masterpieces in one Slender Volume
By Flippy
I am in love with the New York Review Books Classics. Yes, I've been devoted to Penguin Classics since my early teens but NYRB manages to surprise readers by giving them the 'other' reads. (I also recommend Dedalus from Britain which releases fascinating if not darker novels, novellas and story collections).

And once again, NYRB doesn't disappoint.

I have read several of these stories twice. Nescio is a grand master of capturing the angst, the romanticism, the lyrical longing of youth. These are stories about young men about to become indoctrinated into the serious routines of life - finding a job, getting married, having kids and so forth. And still, these are poets and painters, thinkers, philosophers, all of them friends, hanging out, taking long walks in the countryside, wandering through the streets of Amsterdam. They hang out in attic apartments and drink jenever (Dutch gin). They smoke, they tease each other. They feel lost. They're human.

I would say the above description succinctly summarizes the two stories of Little Titans and The Freeloader but Amsterdam Stories is more than what I've just written. Nescio in his works conveys a sense of place and emotion about that very place. Nescio (pseudonym for Jan Hendrik Gr�hloh) was born and raised in Amsterdam. In a sense this is his youth, his city he is writing. He became the successful business man. He married and had four daughters. These stories are an elegy to his idealism, to the city he knew before he became successful. New York, Berlin, Paris and Munich have all had their writers, men and women who wrote and gave the world their collected vision of their city. For such a cosmopolitan town as Amsterdam, we have very few internationally known authors who've brought the city to life in literary prose.

Nescio has achieved that. And now, after over 80 years of relative obscurity in the English language, NYRB has brought this slender volume out, a beautiful translation by Damion Searls. Also, an excellent introduction by Joseph O'Neill, author of Netherland.

Read Nescio for all these reasons - for being young and idealistic. Read it for Amsterdam, a city beyond its Red Light District and coffeehouses. Read it because here's a beautiful opportunity to read a masterpiece by a Dutch author. This is beautiful stuff here. These aren't stories but prose poems with characters you know and understand. You love these people because they might be a lot like you or how you used to be.

16 of 20 people found the following review helpful.
Amsterdam Stories
By Jack Steele
The New York Times Book reviewer found nothing to like about the yellow landscapes and minimal character development, thus revealing himself to be tone deaf to this writer's unique gifts.

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Rabu, 07 Januari 2015

[H718.Ebook] Free Ebook Advanced Signal Processing Handbook: Theory and Implementation for Radar, Sonar, and Medical Imaging Real Time Systems (Electrical Engineer

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Advanced Signal Processing Handbook: Theory and Implementation for Radar, Sonar, and Medical Imaging Real Time Systems (Electrical Engineer

Advances in digital signal processing algorithms and computer technology have combined to produce real-time systems with capabilities far beyond those of just few years ago. Nonlinear, adaptive methods for signal processing have emerged to provide better array gain performance, however, they lack the robustness of conventional algorithms. The challenge remains to develop a concept that exploits the advantages of both-a scheme that integrates these methods in practical, real-time systems.

The Advanced Signal Processing Handbook helps you meet that challenge. Beyond offering an outstanding introduction to the principles and applications of advanced signal processing, it develops a generic processing structure that takes advantage of the similarities that exist among radar, sonar, and medical imaging systems and integrates conventional and nonlinear processing schemes.

  • Sales Rank: #4840277 in Books
  • Published on: 2000-12-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.55" h x 7.31" w x 10.35" l, 3.00 pounds
  • Binding: Hardcover
  • 752 pages

Review
...published to assist the development of a scheme that integrates nonlinear, adaptive methods with real-time systems. The book takes advantage of the similarities among radar, sonar and medical imaging systems and integrates conventional and nonlinear processing schemes.
-IEEE Signal Processing, November 2001

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Minggu, 28 Desember 2014

[G590.Ebook] PDF Download Luther's Works, Vol. 6: Genesis Chapters 31-37 (Luther's Works (Concordia)), by Martin Luther

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Luther's Works, Vol. 6: Genesis Chapters 31-37 (Luther's Works (Concordia)), by Martin Luther

Luther’s Works: The American Edition, published by Concordia and Fortress Press between 1955 and 1986, comprises fifty-five volumes. These are a selection representing only about a third of Luther’s works in the Latin and German of the standard Weimar Edition, not including the German Bible. In this section of Luther’s Lectures on Genesis (31—37) the subject is the mature child of God in the school of adversity. Says Luther, “We have seen the triumphs and glory of Jacob … let us now also descend with him into hell and see his sadness and terror.” Extensive treatment is given to a mounting series of afflictions for Jacob. In every affliction, Jacob “wrestles with great infirmity,” and one trial may be termed “light” only by comparison with another. Luther is also interested in pointing out the antidote for all adversity—the comforting mercy of God. This comfort is in Jesus Christ; therefore Luther observes: “These emphatic words, which Moses scatters like jewels here and there in his writings, are wonderfully sweet, provided they are referred to Christ.” Luther does not hesitate to draw comparisons: “These things are written to comfort us so that we may know that our afflictions and disasters are not extreme.”

  • Sales Rank: #1325116 in eBooks
  • Published on: 2007-04-30
  • Released on: 2007-04-30
  • Format: Kindle eBook

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1 of 1 people found the following review helpful.
Another enjoyable read, as I continue my journey through Luther's Works :)
By Glenn Crouch
Whilst in the previous volume, I noted that I found Luther had a tendency to be too generous towards the Patriarchs. I realise that some of this was in reaction to what others had said about them. Whilst this tendency does continue somewhat with Jacob and with Joseph, it certainly is not present when it comes to dealing with the Fathers of the other Tribes - especially Simeon and Levi! So far Judah has been treated, in my opinion, quite justly by Luther - and I thought that maybe as an Ancestor of Jesus, that maybe he would argue more in his defence. I look forward to Luther's take on Judah and Tamar in the next volume.

Also, as Luther continues to argue against an Allegorical approach he stills see Church Life (or at least Temple Practices) taking place in the lives of the Patriarchs - and I think he borders on getting allegorical himself - well at least that it is how it comes over 500 years later ;-) Luther is not attempting to be allegorical, rather he sees this (I think) as an insight he has discovered about the Patriarchs. That they really did enact the roles of Priest and Preacher. Who knows as we have very little info...

Anyway, I am still impressed how inspiring I can find his words and I know some of the credit goes to the good English translation!

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Rabu, 24 Desember 2014

[D155.Ebook] Fee Download The Heart of the Wild (The One Ring Roleplaying Game), by Gareth Ryder-Hanrahan

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CB71007 The Heart of the WildThe One Ring RPG Sourcebook

By Cubicle Seven Entertainment

The One Ring RPG

The Heart of the Wild is a resource for The One Ring Adventures Over the Edge of the Wild describing the lands of the River and the Forest, the Vales of Anduin along the banks of the Great River, and the trackless forest of Mirkwood to the east. It expands on the descriptions given in the Loremasters Guide, offering new sanctuaries and new perils for the players to discover. Each region is described in detail, listing potential friends and foes, sites of interest and potential adventures.

An expanded bestiary contains a host of strange creatures and servants of the Enemy, from the beasts of the forest to the fabled Great Spiders. Variant Cultural Backgrounds like River Hobbits or Wayward Elves offer new options for adventurers, while new Fellowship Phase actions bring the wild to life in your games.

Follow the Anduin river down from the chill springs of the Misty Mountains to the southern edge of the Wild! Explore the dread forest of Mirkwood, running from the lonely thickets of the north to the very gates of Dol Guldur! Enter the Heart of the Wild, and defend it against the rising Shadow.

  • Sales Rank: #740752 in Books
  • Brand: Cubicle 7
  • Published on: 2013-10-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 2.00" w x 8.50" l, 1.53 pounds
  • Binding: Hardcover
  • 128 pages
Features
  • The Heart of the Wild is a resource for The One Ring Adventures Over the Edge of the Wild describing the lands of the River and the Forest, the Vales of Anduin along the banks of the Great River, and the trackless forest of Mirkwood to the east.

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12 of 12 people found the following review helpful.
A Loremaster's Detailed Review of Heart of the Wild
By Brian S. Slaby
Introduction

Heart of the Wild is the most recent supplement for The One Ring. It's essentially a gazetteer to western and central Wilderland (the Vales of Anduin and Mirkwood; which is to say everything except the Dale-lands, Lake-Town, and the Long Marshes). The yet-to-be-released companion volume, Darkening of Mirkwood, is a plot point campaign sourcebook that requires Heart of the Wild (though you can use HotW just find without Darkening). It's most useful for Loremasters as a setting reference and a source for new Adversaries and NPCs, though there are some player options sprinkled throughout it.

Production Value

This is the first hardcover product in the line, and it makes all the difference. Previous softcovers (including the core rulebooks) had issues with the binding (my copies included), which is a sore point for an otherwise beautiful set of books. The hardcover format seems to have eliminated this problem, as the binding certainly seems as solid as any other RPG book I've owned. At 128 pages it's a little short for the price point.

Layout

The book is divided into 3 main sections (plus an introduction, an updated map, and an index), the Vales of Anduin, Mirkwood, and Adversaries. The two major regions are divided up into various sub-regions, which are treated separately. The subregions correspond to those on the maps, and while this makes the book convenient to reference if you're interested in a specific place on the map, it can be a little repetitive to read this way, especially with all of the similar-sounding regions (west upper vales, east upper vales, west middle vales, east middle vales, etc. through Anduin vales and nether vales). This is exacerbated by the fact that each region is given entries for wildlife, inhabitants, notable characters, and notable places. The wildlife entries in particular are tiresome, as most of them include the expected bears, deer, squirrels, etc. There are a few notable details like the swarms of insects that beset travelers in the East Nether Vales, which the wandering Erringmen fend off with fire-pots full of incense, but by and large I think that space could have been saved by detailing the general wildlife in the introductory section to the two major regions, and then if there are interesting wildlife for a given sub-region mentioning those in its summary. This is the one part of the book that feels like it was placed in to pad page count, which is all the more noticeable with only 128 pages.

The art lives up to what we've come to expect from this line, which is to say that the style fits the setting very well. You get a mix of paintings and, for some specific NPCs, pencil drawings. There is at least one piece of recycled art (the portrait of Thranduil), but the vast majority of it is new. My one complaint is that a lot of the Mirkwood pieces look really similar, and don't seem to depict anything besides "ooooh, scary trees!" Given that similar pieces are found in the core books, it's tough to really appreciate some of the Mirkwood stuff.

Sidebars abound in this book, and they run the gamut from new player options, to interesting details about characters ("Thranduil's Ring" and "The Crown of the Elvenking" being particularly nice touches), to short little stories that better demonstrate locations or situations ("A Campfire Tale," "Forgotten Treasures"), or advice about keeping already-visited locations fresh ("Strange Faces in Familiar Lands"). This is a great way to maintain the consistent region to region structure while still allowing for unique details to be given, and it visually informs the reader that something here is different, important, or is getting a different style of treatment. My only gripe is that while the sidebars are in the index, there is no notation that indicates they're sidebars (a minor gripe, to be sure).

Content

As a setting reference this book does what it needs to do, without over-detailing things. A description of the landscape for each sub-region, and a handful of versatile NPCs with motivations and personalities that seem relevant to the interests of adventurers. Some might end up as adversaries, some allies, while others could go either way. Concepts are generally not repeated, so you're getting something new and interesting with each NPC. The entries are short and to the point, with an attribute level given, Traits, Endurance, and ranks in any skills that the NPC is likely to demonstrate. One nice touch that updates Tolkien to the sensibilities of most modern gamers is that about half of the NPCs are female.

A lot of the descriptions (of both NPCs and specific locations) act as hooks, to spark curiosity and inspire GM creativity. Personally, this is the type of published material that I tend to get the most use out of as a GM. A little "seed" that I can take off in my own direction. I supply most of the details and plotlines, but I wouldn't have ever thought of it if I hadn't read that interesting little initial description. For this reason I anticipate that Heart of the Wild might be sufficient for my GMing needs, in that Darkening might provide too much detail for my tastes. In other words, Heart of the Wild will probably still be useful to GMs who don't like running published adventures (which I don't).

A few locations are given a more detailed treatment, to the extent that they're mapped out. These are the Halls of Thranduil (a much better version than the one from Karen Wynn Fonstad's "The Atlas of Middle Earth," though doubtless that's because more liberties were taken), Dol Guldur (an overhead view of the exterior with important features labeled), Beorn's house, and the three Woodmen settlements in Mirkwood (with a note that Mountain Hall is mapped out in Tales from Wilderland). Actually, there are a few locations where only a very short summary is provided, and the entry otherwise says "refer to Tales/Loremaster's Book." For example, Beorn doesn't get much treatment since the LMB goes into a lot of detail on him. This attempt to keep the book "dense" and not reprint information may be a pro to some, and a con to others who would rather have a more complete reference in one book. Going back to the maps, these hit a pretty sweet spot of providing enough detail to get a sense of how the place is laid out, but not going so far as to count individual houses and whatnot. For me as a Loremaster, this level of detail is enough to keep my description of the place consistent, but it's not so rigid that it locks me out of options.

I think the biggest missed opportunity in this book is that there are no hazards provided at all. I thought the region-specific hazards in Tales from Wilderland were a very nice touch, and I expected an abundance of them in Heart of the Wild. Again, considering that the book only clocks in at 128 pages it's a bit mind boggling why these were neglected. The few general hazards listed in the LMB can get stale really fast, and while you could do a quick scan through the area's description to adapt them to a sub-region in a pinch, there's not a lot of ease-of-reference there, and there might not be something immediately obvious.

Adversaries

At just 11 pages the Monsters of the Wild chapter is much shorter than the other two, but considering how limited the selection from the LMB is it is a pretty decent expansion to the number of foes available. Obviously Tolkien doesn't have the menagerie of monsters that a game like D&D does, so it's a fine line between giving the Loremaster enough options to keep his players interested and providing so much that it no longer feels like Middle Earth.

Aside from basilisks, grim hawks, and wood-wights, all of the adversaries are more or less variations on stuff that the players have likely already come across. There are enough mechanical differences to be noticeable, though. There are some specific "boss" orcs (including one with a named weapon), forest goblins, a warg "boss," hill-men, wild men, a new type of spider, and a trio of...nah, I'm not going to spoil that one ;)

Player Options

The most significant options for players are new Fellowship Phase Undertakings, though these will largely be linked to a very specific location, so your options are unlikely to be greatly expanded during any one Fellowship Phase. Some of them are interesting new twists on what can be gained from an Undertaking, with some being fairly generic (Hunt with the Woodmen) and others being very unique (Taming the Steed of the Moon). There are 14 altogether, and with so much variety they can easily be used as examples to inspire Loremasters to create custom Undertakings using the same or similar mechanics with tweaked or substituted details.

There are 2 new "sub-cultures," which are the Wild Hobbits of the Anduin Vales and the Woodmen of Mountain Hall. The entries are disappointingly sparse, with some starting skill ranks being switched around and new Cultural Blessings being granted (though in the case of the Woodmen it's as simple as switching the wording of Woodcrafty from "in a forest" to "in the mountains"). Unlike the Men of the Lake from the Lake-Town book, there are no new cultural Virtues or Rewards, and no new backgrounds. What makes this especially puzzling is that for the Hobbits in particular, a lot of the options from the core rulebook don't fit thematically at all. Again, I stress that at 128 pages there could have been more here.

Woodmen and Elves also get one new Cultural Virtue each. River-blooded represents a Woodman who has River Maiden ancestry, whereas The Call of Mirkwood can be taken to show how an Elf PC is beginning to fade.

Final Thoughts

Overall I'd say this book is well worth it for GMs, and for anyone who wants a fairly comprehensive reference book on Wilderland. Though it's worth keeping in mind that as a reference book, it's not strictly canon as many liberties were taken to make it appropriate for use in an RPG. I still think it's a great read for getting a sense of what these lands are like, and what life would be like there. If you're just a player with only a casual interest in Tolkien lore you might not find much of use here.

By and large it's a great addition to the TOR library, though it's not without its flaws. A lack of new Hazards, player options that could have been done in more detail, and a short page count for the price (but hardcover is awesome!) keep this from getting a perfect rating, but they're pretty minor issues and shouldn't get in the way of purchasing this book if you're on the fence. The book is absolutely stuffed with "seeds" that will provide GMs with inspiration for many adventures and campaigns, and it makes a great reference for adding color and detail to travel through these regions.

12 of 13 people found the following review helpful.
First Thoughts
By Lee Nicholas
I only just purchased the Heart of the Wild from Cubicle 7's website, meaning I now have access to the PDF.

I have not read the entire book yet (it is around 130 pages) but the materials I have read have been great.

As a lover of Tolkien I very much appreciate the Cubicle 7 Team's commitment to preserving his world. Sections of the book are devoted to history of the regions, collaborating on the various Histories of Middle-Earth and the Silmarillion. As somebody who has read the Silmarillion and the trilogy multiple times it is very refreshing to enter into these sections and come away having learned things.

As far as actual gameplay goes, there is a lot of material. There are many intermediate characters introduced that can be easy additions to a single campaign as well as big, treacherous enemies that can be the conclusion of a longer adventure. There are mysterious locations detailed, rumors of treasure ad mystical beasts, and many a new monster.

The PDF at least is beautifully written and published. The artwork is consistent with previous publications, which means it is stellar. I love browsing it.

My only complaint (and it's minor) is the 'two new playable races.' The snippit on Amazon makes it sound like there are two new races that are fully fleshed out (ala the Lake-town folk in its sourcebook). However, there are simply two small sections on how to change pre-existing races to these new ones. One, the hobbits of Mirkwood, hardly seems playable given their nontrust of any other being. Nonetheless, there is a fleshed out new skill list and cultural blessing. The wayward elves are very interesting on the other hand and a bit more detail is given to them. Again, that is extremely minor and is more a complaint about the way those were advertised than the actual content. I think they are both doable, I just wish that, given the description of 'two new races,' there were full sections in the back like there are in the Laketown book.

All-in-all this is a most-buy for LMs. Especially if you plan on using the upcoming Darkening of Mirkwood Quest Book as Cubicle 7 specifically states this will be a needed source to play those adventures.

Do yourself a favor and pick this up right now while Cubicle 7 is throwing in a free PDF (sorry Amazon).

EDIT: I have since received the physical copy of this purchase and am thrilled! It is a beautiful hard-bound book with nice, glossy pages. The previous supplements and core books released had very poor binding. This new hard-cover binding has none of those issues and is very durable. If I could add a sixth star I would.

9 of 10 people found the following review helpful.
A gorgeous book and a well-organized resource
By Andrew W. Laubacher
UPDATE: The Heart of the Wild (One Ring) was scheduled for release in August 2013. After delays caused by a printer error the sourcebook has finally been published and is available in stores as of October 23, 2013. I received my pre-ordered copy on October 1.

'The Heart of the Wild' is a sourcebook for The One Ring: Adventures Over the Edge of the Wild and describes the Vales of Anduin and the depths of Mirkwood Forest. Besides being useful as a general resource, the book is indispensable for use with the upcoming campaign book The Darkening of Mirkwood (One Ring). Here is a nice bonus: Cubicle 7's site notes that preorder of the physical product from the publisher includes a free PDF of the product.

I received the PDF of 'The Heart of the Wild' from Cubicle 7 (via RPGNow.com). The book should be invaluable to Loremasters who want to create their own adventures in the Wilderland encompassed by the Vales of Anduin, the Grey Mountains, and Mirkwood Forest. New allies and foes are detailed, as are such locations as Rhosgobel, Thranduil's Halls, various Woodmen settlements and the fortress of Dol Guldur. Tweaks to existing Adventurer templates allows players to play Wild Hobbits of the Vales of Anduin or Wayward Elves (a variation of the Elves of Mirkwood). The information on a couple of new Adversaries is sketchy, but will be further detailed in the upcoming 'The Darkening of Mirkwood' campaign. The actual book is gorgeous. The 128-page hardcover has glossy pages and is nicely bound. Cover and internal art is beautifully moody and effective.

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